The Strangler (or Stranglers, since some experts believe that it
had to be at least two different murderers and possibly more) was
seen by a number of eyewitnesses.
One was Kenneth Rowe, the engineering student who lived on the
floor above Joann Graff’s apartment. He spoke to the stranger who
was looking for her apartment just before she was killed. When Rowe
was shown a photo of Albert DeSalvo, he did not recognize him as the
man looking for Joann.
Jules Vens who ran Martin’s Tavern right near Joann Graff’s
apartment in Lawrence did not identify DeSalvo as the man who,
dressed identically to the man Rowe had seen, had come into the
tavern nervous and agitated as though someone were following him.
Eileen O’Neil could not identify DeSalvo as the man who she saw
in Mary Sullivan’s bathroom window around the time of her death.
Plus, Kelly points out, "three fresh Salem cigarette butts
were found in an ashtray near Mary Sullivan’s bed. Neither Mary
nor her roommates …smoked this brand. A Salem cigarette butt was
found floating in the toilet of Apartment 4-C at 315 Huntington
Avenue in Boston the day Sophie Clark died there…Albert DeSalvo
did not smoke."
Even more remarkable were the reactions that two very important
eyewitnesses had to seeing Albert and his killer friend George
Nassar. Marcella Lulka, who lived in the same apartment building as
Sophie Clark, had an encounter with a man called "Mr.
Thompson" who said he had come to paint her apartment. This man
was about 5 feet nine with pale honey-colored hair combed straight
back over an oval face. She said he could have been a light-skinned
black or a white man. She estimated his age as around 25 years old.
She got rid of him by telling him that her husband was asleep inside
her apartment. This encounter was just before Sophie Clark was
murdered.
"Mrs. Lulka later sketched for police a portrait of
"Thompson." It shows a delicately featured young man with
a long, narrow face, a very thin nose, a point chin, and large,
almond-shaped eyes. It looks nothing like Albert DeSalvo."
(Kelly).
When Albert began confessing to the stranglings, Bottomly rounded
up Mrs. Lulka and Gertrude Gruen so that they could secretly view
Albert in prison. Gertrude Gruen was considered at that time the
only woman who survived an encounter with the Strangler. She had
given her attacker a good fight and he fled.
Both women thought that they were coming to view one man –
Albert DeSalvo. Neither realized that they would see another man
also – George Nassar. The women posed as visitors in the prison’s
visiting room. Nassar was the first one to enter the room to meet
with the prison social worker. Gerold Frank describes this
unexpected reaction:
[George Nassar]..darted a sharp glance at her [Gruen], and then
a second. She thought, There’s something upsetting, something
frighteningly familiar about that man. Could he know her?
At that moment, DeSalvo entered and took his place across the
table from Dr. Allen. Miss Gruen looked at him. No, he was not the
man who talked with her, attempted to strangle her, the man with
whom she fought, the man who fled when her screams brought workers
on the roof peering into her windows.
But the man now talking to the social worker, the man who had
turned his dark eyes on her so sharply –
Moments later, in Dr. Robey’s office, surrounded by police,
she said agitatedly, "I don’t know what to say…I’m so
upset." She appeared on the verge of a breakdown…Finally
she was able to talk.
It was not Albert DeSalvo, she said. When she had been shown
his photographs a week earlier, she’d thought she saw certain
similarities. "Now, I know he is not the man," she said.
But the first man who entered – George Nassar – I realize how
shocked I was when I saw him. To see this man, his eyes, his hair,
his hands, the whole expression of him…" He looked like the
man who attacked her, walked, carried himself like him, his
posture…"My deep feelings are that he had very great
similarities to the man who was in my apartment."
But – she was not sure. She wept with frustration. She wanted
so badly to identify this man.
And Marcella Lulka, who had also been brought to identify
DeSalvo?
She had not been sure when shown his photographs a few days
before. Now, she said, seeing him in person, she must definitely
eliminate him. But the prisoner who preceded him – Nassar –when
she saw him enter, her heart jumped. In every way but one –his
eyes, his walk, his furrowed face, his dark, speculative gaze –he
was her mysterious caller of that dreadful afternoon. Only his
hair was different. "Mr. Thompson" had honey-colored
hair, as she had told detectives. This man’s hair was black.
Might it not have been dyed the day she saw him…"
The motive for DeSalvo confessing to the crimes remains the same
whether he actually committed them or not. He believed that he would
be spending the rest of his life in jail for the Green Man attacks
and wanted to use the confession to raise money to support his wife
and children. Plus, to a braggart like DeSalvo, being the notorious
Boston Strangler would make him world famous. Dr. Robey testified
that "Albert so badly wanted to be the Strangler."
One of the key issues that Kelly addresses – with mixed success
– is the accuracy of the voluminous confession and its myriad of
details, some of which were correct and some of which were not. How
did Albert DeSalvo, a man of average or less than average
intelligence convincingly absorb so many, many details about the
victims and their apartments if he was not the Strangler?
Kelly points out that Albert had an exceptional
memory. Dr. Robey testified that he had "absolute, complete,
one hundred per percent total photographic recall." One of his
lawyers. Jon Asgeirsson noted that "Albert had a phenomenal
memory. Another of his lawyers, Tom Troy agreed, "It was
remarkable."
Robey cites an example of how he tested Albert’s
ability to make instantaneous mental carbon copies of people,
places, things: "We had a staff meeting [at Bridgewater] with
about eight people. Albert walked in and walked out. The next day
we had him brought back in. Everyone had on different clothes, was
sitting in different positions. I said, "Albert, you remember
coming in yesterday? Describe it."
Albert did, perfectly (Kelly)
She also cites a number of sources of information available to
Albert to learn what he did about the crimes:
- The newspaper accounts were extraordinarily detailed. The Record
American printed up a chart, along with the victims’
photos, called "The Facts: On Reporters’ Strangle
Worksheet." This chart was a summary of all the important
details of each crime, what victims were wearing, their hobbies,
affiliations, etc. Kelly says, "That DeSalvo had memorized
this chart is apparent because in his confession to John
Bottomly, he regurgitated not only the correct data on it but
the few pieces of misinformation it contained as well.
- Leaks by law enforcement agencies, particularly the Strangler
Bureau, which was criticized for being lax with its accumulated
material, and the Suffolk County Medical Examiner, who allegedly
held a number of unauthorized press conferences in which he
freely distributed information about the victim autopsies.
- Albert’s own research as a burglar put him in many of the
apartment buildings in which women were murdered. He knew the
layouts of the apartments and, according to Kelly, had visited
each apartment after the murder.
- Information deliberately and inadvertently fed to him by
people anxious to wrap up the investigation, such as John
Bottomly who, according to Kelly, "did knowingly and quite
intentionally provide Albert with information about the murders
–while he was taking the latter’s confession to them…which
explains why the only version of it [the confession] ever made
public was abbreviated and heavily doctored. The full version
virtually exonerates DeSalvo."
- Possible information provided by another suspect who could
have coached DeSalvo on the details. Police speculated that
George Nassar could have been one such source of information.
Finally, experts never saw the stranglings as the work of one
individual. The modi operandi were not identical and the victims as
a group were quite dissimilar. Kelly summarizes some of the more
obvious differences:
No similarity whatsoever exists between the relatively delicate
killing of Patricia Bissette, whose murderer tucked her into bed,
and the ghastly homicidal violation inflicted on Mary Sullivan,
whose killer’s intent was not just to degrade his victim by
shoving a broom handle into her vagina but to taunt the discoverer
of her corpse by placing a greeting card against her foot. Beverly
Samans was stabbed but not sexually assaulted; Joann Graff was
raped vaginally and strangled. Evelyn Corbin had performed –probably
under duress – oral sex on her killer. Jane Sullivan was dumped
facedown to rot in a bathtub. Ida Irga was left in the living room
with her legs spread out and propped up on a chair.
Serial killers tend to select and stick with a particular kind of
victim. For example, Jack the Ripper picked prostitutes; Ted Bundy
picked pretty, longhaired young girls; Jeff Dahmer young boys, etc.
The strangling victims represent a wide disparity in age and
attractiveness and race which flies in the face of serial killer
profiling expertise. A very likely explanation is that some of the
crimes were committed by one individual, especially the murders of
Ida Irga, Jane Sullivan and Helen Blake.
And what about Mary Mullen, the elderly woman who died of a heart
attack? Kelly says that this may be the only killing of which
DeSalvo is guilty. He probably burglarized her apartment and she
died of fright. Did the same Albert DeSalvo who carried his
unintended victim over to her couch and fled without stealing
anything savage the bodies of Ida Irga and Jane Sullivan?
The Mary Brown affair raised some interesting questions. She had
been raped, strangled and beaten to death in Lawrence in early March
of 1963. Albert’s confession to this crime was very sketchy and
many of the details were incorrect. Perhaps, Albert had been told
about this crime from the Bridgewater inmate who was really
responsible. Kelly says Mary Brown lived on the same street as the
man that George Nassar shot to death in 1948.
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